Fall TV Roundup, Week 1
We’re past Labor Day, the NFL Season is under way and
that can only mean one thing—the Fall TV Season is here. With the flood of
content coming your way, it can be hard to know what’s worth your time. Let
this weekly post be your guide as I look at the pilot and second episode of new
scripted series this Fall!
Tuesdays:
Monarch, Tuesdays at 9 p.m. on FOX (Premiered September 11)
About: The first salvo of the new Fall season on Network
came Sunday night as Monarch debuted following the first Sunday slate of
football. It’s a big Prime Time soap set in the world of country music,
following the first family of country music. The Roman family are stars, well
at least Matriarch Dottie (Susan Sarandon) and her husband Albie (Trace Adkins)
are royalty. They’re getting a lifetime achievement award and, with Dottie sick
and terminal, she’s looking to hand off to the next generation—including her
three children (Anna Friel, Joshua Sasse and Beth Ditto). But scandal and
in-fighting lurk around every corner. This is a high-profile addition to the FOX
lineup. It wants to be a country version of Empire. The pilot wasn’t that good
and I’d wager if you’re not a fan of country music, you’ll like it even less.
It felt too melodramatic with not enough pay off. Perhaps it steps up, but the
pilot made it clear to me why FOX has had it sitting on a shelf for a year.
Pilot Grade: C
Wednesdays:
Tell Me Lies, Streaming Wednesdays on Hulu (Premiered September 7)
About: Grace Van Patten is Lucy, a woman whose tumultuous
relationship with Stephen (Jackson White) is at the heart of this racy new
drama. The series is adapted by Meaghan Oppenheimer from the novel by Carol Lovering.
It begins in 2015 with Lucy attending her friend’s engagement party. She’s
leery of seeing Stephen but charged by it at the same time. We quickly flash
back eight years to how the two met and began a steamy affair while Lucy
attended college, diving into how she met her friends and the major events that
have shaped their journey. And there’s plenty of pretty young people having
sex… a lot of sex. In fact, it seems often like the series is most interested
in loosely using the plot to set up these sequences, many of which feature Van
Patten and/or White. They are fine, but the chemistry isn’t as strong as the
story would like you to believe. In fact, the whole thing feels fairly
pedestrian. The first three episodes are available to stream, all between 45-55
minutes. I watched the first two and didn’t feel much, if any, connection to
the characters. It’s meant to be a steamy hook for viewers, but its
storytelling is too flaccid to make that work.
Pilot Grade: C
Second Episode: C
Sundays:
American Gigolo, Sundays at 9 p.m. on Showtime (Premiered September 11)
About: This one is a sequel series, which jumps 15 years
into the future to see what happened to Julian Kaye. In the original film,
Richard Gere played the titular role in a Paul Schrader film. This Showtime
series was developed by David Hollander and stars Jon Bernthal in the role. We
pick up 15 years later as Kaye is in prison for a crime he can’t remember.
Early on, the detective (Rosie O’Donnell) who put him in there comes to let him
know he was wrongly convicted. Now a free man, Kaye is stuck trying to find a
way forward, reconciling with his painful past and trying to figure out who
framed him for murder and took away 15 years of his life. He’s also trying to
connect with the one woman (Gretchen Mol) that he ever truly loved. This is an
interesting concept and a grittier series than some might expect with the
title. In that sense, Bernthal feels like the perfect choice as the lead. He’s
a tortured soul trying to make his way in a world he no longer recognizes. The
pilot was moody and had some engaging moments. The ongoing mystery is a solid
hook here as well. It wasn’t incredible but it was enough to make me curious to
see where this is headed, if only to appreciate the solid lead work from
Bernthal.
Pilot Grade: C+
The Serpent Queen, Sundays at 8 p.m. on
Starz (Premiered September 11)
About: This new series for Starz finds Samantha Morton as
Catherine de Medici, who married into the French Court and ruled for 30 years.
It’s based on the novel from Leonie Freida and was adapted by Justin Haythe
into an eight-episode mini-series. We pick up with an older Catherine who has a
reputation and scares most people. A young servant, Rahima (Sennia Nanua) is sent
with food and quickly intrigues the queen, who begins to tell her own tale of
how she got to this point. And a story is born. Morton is a compelling actress,
but it’s harder when she’s relegated to the role of narrator. Perhaps that will
be less true moving forward, but that remains to be seen. Otherwise, this feels
like a somewhat stock telling of a story from medieval Europe. The pilot was
OK, but not enough to help it stand out in a crowded entertainment landscape.
Pilot Grade: C
Streaming Series:
Cars on the Road, Now Streaming on Disney+ (Premiered September 8)
About: The latest from Disney+ is a new streaming series
set in the world of Cars. It finds friends Lightning McQueen (Owen
Wilson) and the two truck Mater (Larry the Cable Guy) hitting the road for a
series of new adventures. The shorts are 10-12 minutes, so bite-sized chunks.
The second even featured an homage to The Shining, which was unexpected and intriguing.
It was nice to have all the original theatrical voices back and this seems like
a bit of harmless fun for those who were fans of the film. It’s also a quick
binge.
Pilot Grade: C+
Second Episode: C+
Wedding Season, Now Streaming on Hulu
(Premiered September 8)
About: It’s the classic story of boy meets girl, boy falls
for girl, boy tries to break up girl’s wedding and is rebuffed, then boy finds
himself as a suspect in the murder spree that followed at girl’s wedding. You
know, standard stuff. That wild set up is how we’re introduced to Stefan (Gavin
Drea) and Katie (Rosa Salazar). What follows is something of a wild adventure.
The series runs eight episodes for the season, with all episodes available to
stream. The episodes are around a half an hour, spending time in the present
and Katie and Stefan find themselves running from the law and trying to find
out what happened and flashbacks that show how they met and formed a
connection. It works because of the chemistry between Drea and Salazar and the
great performance from Salazar. It’s weird, wacky and oddly compelling. I
enjoyed the first two episodes, which were a breezy watch. This seems like the
kind of bingeable series that could be a nice way to kick off the Fall season.
Pilot Grade: B-
Second Episode: B-
Last Light, Now Streaming on Peacock
(Premiered September 9)
About: I know, by law, I have to watch series that star
TV’s Matthew Fox. It’s the least I can do, really. Sometimes those shows are
good. Last Light isn’t. It’s a five-episode limited series from the U.K.
that finds Fox as a scientist working for a large oil company. He’s based in
England, where he lives with his wife (Joanne Froggatt) and his kids. As his
wife heads to France with his son for a surgery, Andy (Fox) is called to the
Middle East on assignment. When a fuel issue causes a worldwide panic, Andy has
to find answers and get to his family, who are just trying to survive. This
thriller spans five episodes, each about 45 minutes. It’s an engaging set up
but the first couple episodes were dry. This has been the trend with series
Peacock has brought in from overseas and it holds true here. I wanted to like
it, but alas poor Matthew, I didn’t.
Pilot Grade: C
Second Episode: C
The Imperfects, Now Streaming on Netflix
(Premiered September 9)
About: This series is going somewhat under-the-radar with
an unceremonious launch this Friday. All 10 episodes are available to stream,
each about 45 minutes. It focuses on a trio of young adults, the musician Tilda
(Morgan Taylor Campbell), the scientist Abbi (Rhianna Jagpal) and the artist
Juan (Inaki Godoy), who are all struggling. They have a genetic disorder and
rely on their medicine to stay normal. When the supply runs out, each begins to
experience a side effect. When the doctor treating them (Rhys Nicholson)
disappears, they turn to his former partner (Italia Ricci) to find him and find
a cure. It’s an interesting set up and there is some humor and originality in
the premise. The first two episodes moved at a good pace and there’s some
promise here. For those that like something a little different, this might hit
the sweet spot. It wasn’t high profile but it was entertaining.
Pilot Grade: C+
Second Episode: C+
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