AFI 100 Years, 100 Movies: No. 48


Back in 1998, the American Film Institute unveiled its list of the 100 greatest films as voted on by members of the cinematic community. The year, I'm looking at the films on that list, re-ranked according to my preference. Check back Fridays and Saturdays throughout the year as we walk through this list of classic films.

Terry Malloy: You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.

On the Waterfront (1954)
Original List Position: 8
Starring: Marlon Brando, Karl Malden, and J. Lee Cobb
Director: Elia Kazan
About: This is an American classic. It's also one of the films that put Brando on the map, and it's certainly an iconic performance in service of an iconic American story. Does it hit the same all these years later? Probably not. But it's still a fascinating exploration of these characters and story. And it's undeniable that Brando is talented. You can't take your eyes off the screen when he is there. It's a great performance that I think will always be remembered. The film landed in the Top 10 in the original list, falling to No. 19 a decade later. I don't have it that high, but I have always respected the film and its lead performance.

Comments

Post a Comment

Popular posts from this blog

Now Playing

Image
  It was an interesting week for new releases in theaters. Below is my take on the two big theatrical films from the weekend. You can keep up with everything I’m watching by following me on Letterboxd @knighthawk7734. Boy Kills World (Theaters) Starring : Bill Skarsgard, Jessica Rothe, Famke Janssen, Brett Gellman, and Michelle Dockery Synopsis : We have seen a lot of action films this year. Many have featured violent sequences, but some have been more artful than others. The new film, Boy Kills World, provides plenty of violence. It’s right there in the title. But where it falls short is in building something compelling beyond the killing spree. We’re introduced to a Boy (Skarsgard) early in the film. He tells us that his world is ruled by the Van Der Koy family, whose head, Hilda (Janssen) keeps the people in line through an annual Culling, where she kills “enemies.” Our protagonist’s mother and sister were among her victims. The Boy barely survived; saved by the Shaman (Yayan Ru...
Read more

Fall TV Roundup, Week 16

Image
  It’s Christmas week, and you might find yourself looking for some distractions in the form of new shows to check out. But which are worth checking out? Let this weekly post be your guide as I review the pilot and second episode of new shows this Fall. Don’t see a new show listed below? Check previous weeks. Tuesdays: American Auto, Tuesdays at 8 p.m. on NBC (Premiered December 13) About: A lot was made of the fact NBC, former home of Must-See TV, launched a schedule this Fall with no sitcoms. NBC isn’t planning to do the same in the winter, and they got a jump start to close the year, offering two-episode previews of a pair of new sitcoms that will begin their normal runs in January. The first, American Auto , comes from Superstore creator Justin Spitzer and centers on a new CEO (Ana Gasteyer) at a car company. She doesn’t come from the world of cars but is trying to effect positive changes. I thought the first two episodes were funny and definitely filled the Superstore vib...
Read more

Now Playing

Image
  It was a solid week for new releases, including my favorite animated film of the year. You can keep up with everything I’m watching by following me on Letterboxd @knighthawk7734.  Brats (Hulu) Synopsis : From Andrew McCarthy, this new documentary takes a look at the infamous Brat Pack. The film features interviews with the members as they look back at the title that branded them and helped define some of their career. As a member of the group, McCarthy brings a unique perspective. Often the interviews, with actors such as Emilio Estevez, Rob Lowe, Timothy Hutton, and Demi Moore, among others, feels more like old friends catching up. There’s a sweetness and a lightness to the documentary that is incredibly appealing. The film does a good job of capturing the highs and lows, and helping these actors and actresses give an account of what the pressure of that time—and these high-profile films—meant in their lives and their careers. As a child of the 1980s, I was fascinating by t...
Read more