Top 25 Countdown — No. 21


Today's countdown continues with a film I've looked at twice during Faith in Film studies. I think it's Jack Nicholson's best performance.

No. 21 — About Schmidt (2002)
Starring: Jack Nicholson, Kathy Bates, Hope Davis, Dermott Mulroney, and June Squibb
Director: Alexander Payne
Quote: "I know we're all pretty small in the big scheme of things, and I suppose the most you can hope for is to make some kind of difference, but what kind of difference have I made? What in the world is better because of me?" — Warren Schmidt
About: This was a movie that kind of came and went quietly the year it came out. When Alexander Payne's films are discussed, this isn't at the top of the list. But it is for me. It's my favorite of his movies and, obviously, one of my favorite movies of all time. I always know when awards season comes and I am slavishly devoted to a film and pumping it up with everyone I know that it will get hosed when the awards are handed out. There are several films like that on this list. I think my loyalty is the kiss of death for these beautiful stories. Such was the case with "About Schmidt." The Best Picture winner that year was "Chicago." This film is better. The Best Actor winner that year was Adrien Brody in "The Pianist." Nicholson should have won. I think this film should have won a lot of Academy Awards, but it got none. Yet, 13 years later, I think the narrative and story still hold up beautifully. And it's such a different performance from Nicholson — seemingly a character a 1,000 miles away from who he actually is as a performer. This movie has some delightfully comedic scenes — Bates and Nicholson are pure gold on screen — but also a lot of heart. What I am really drawn to in this film is the idea of purpose. We all want to know that our lives matter; that we touched people in a real way. That is the struggle for Warren R. Schmidt (Nicholson), and a question that drives him throughout the film. And just when you think he's not going to find an answer, Payne delivers one in a beautifully unexpected twist that leaves me in tears each time I watch it. In fact, when I was teaching about this movie this fall, I had to watch the ending clip five times the day of just to make sure I could hold it together during class. There is just such beauty in an unexpected way, and Nicholson's performance draws you in and creates that rich, emotional pay off. I probably am not the target demographic for this film — and certainly wasn't in 2002 — but I love it just the same. Payne is a gifted storyteller and, to me, this is his best.
Rating: R for some language and brief nudity. Enter with caution.

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